#I'm putting on my tinfoil hat

[kopykunoichi]

Okay, I know this has come up on Reddit and other places, but I just haven't found any satisfactory explanations or theories to solve the mystery of:

Why is Omega so freaking "tiny"?!

Canonically, she's older than the guys; Tech said she was an unaltered first generation clone and also referred to her as an adolescent. When Order 66 takes place, the first gens are already 13 years old (born in 32 BBY). The Bad Batch season one spans several months, and by the time season two rolls around, it would be reasonable to assume they're 14, or close to it.

Omega is less mature than a typical teenager in many ways, but that is easily explained by how sheltered her life was. She is very insightful though, which is an interesting contrast to her childlike wonder at experiencing new things.

But her physical development has me stumped. Omega is 1.1 m (3'7")...that's the same height as my four year old daughter! Yet, she's supposed to be a 14 year old adolescent.

Look at her standing next to Hera. Hera is 10 years old here (maybe 11 depending on when in the year her birthday is, but she was born in 29BBY). Not only is she a lot taller, she's also clearly a bit further along into puberty than Omega is. I don't know if that's a Twi-lek thing or not, but she definitely looks like an older adolescent. Compare Hera to the animation of Ahsoka when she was 14 and it's even more apparent. Meanwhile, Omega shows no signs of a maturing body. Even her facial structure looks more childlike.

At first I was just going to chalk it up to animators being inconsistent or not being able to properly depict a teenage girl, but now I'm beginning to wonder if there's more to it.

What if Omega's growth has been delayed as opposed to the other clones' growth being accelerated? What if the reason she looks like a seven year old when she's actually fourteen is because she ages half as fast as normal humans? And if that's the case, could that be why the Kaminoans wanted her DNA so bad? Think how marketable it would be if you could sell someone a way to make their natural lifespan twice as long?

It would also explain why Omega sometimes has moments where she has the reasoning capabilities of a teenager (because she does have fourteen years of life experience, such as it was), but retains the playful exuberance of a younger child, because developmentally, she's still seven.

What do you think? Have any of you come across any similar theories that I missed in my brief perusal of the forums?

[gordonsicedcoffee]

saw princess bride au with amanda as inigo montoya

rattling around in my skull atm

[slow-button-off]

I was asked for the other articles and the main one it this one

It's all just a little bit convenient that all of this happens the first time Charles is openly pissed.

Somehow everything is supposedly because of him, the proposed replacements all have ties to him and his management.

And it's not wrong that it would be an issue if he had that much say.

But I really don't buy that Charles and his management who've not even asked for the nr1 status now want to change everything. It doesn't make sense to me.

And now these articles are coming out saying that Charles attitude has to be monitored and what not.

It's all a bit convenient and seems to only serve the purpose of destabilisation.

Changes at Maranello have to happen but keeping in mind that it was Binotto who wanted to have Jean Todt come in as an advisor and that was blocked it's all a bit weird.

Binotto has a lot of support!

And all of this just somehow frames Charles as the villain. Which again is very very convenient. And it's almost as if it's meant to alienate him.

[niemernuet]

My will is as weak as my fitness, I caved and gave money to Blick to read Armon's interview.

Next time I'll just shove a knife into my heart.

[galerion]

ngl, the way loghain turns away from cailan and speaks cryptically at the end of the war meeting is still SO suspicious to me

[coff33andb00ks]

İdk i just got hit with this shitty idea 😭😭 drabble list thingy 5 40 60 64 and 70. BUT WITH ACADEMIC RIVAL OSCAR? IDK ITS KINDA STUPİD BUT STİLL 😭😭

driver + number = drabble <3

warning: author knows nothing about academia 😳

"Idiots, they're all idiots."

You glanced up at the sound of his voice, perplexed. Then, realizing he couldn't possibly be talking to you, you turned back to your work. You'd come here in the hopes that you'd be able to finish your paper without the distractions in your dorm, and so far–

Thud.

The heavy backpack landed on the tabletop with much more force than necessary and you glared at its owner, who - horrifically - was pulling out the chair across from you. As usual he was wearing his stupid burgundy shirt under his stupid black hoodie, and his hair was falling into his eyes with that stupid little swoop.

The only thing stupid about Oscar Piastri was his lack of style.

"You don't mind do you?" he asked, already settling into the chair with his coffee.

"I'm annoyed, to put it mildly," you muttered, staring at the backpack crushing the corner of your pencil pouch.

"Ah well, the feeling's mutual." He pulled his backpack towards him and threw down a copy of the local newspaper. Odd, that he actually read a physical newspaper instead of getting his news online like everyone else born after 1985.

You carefully maneuvered your pencil pouch closer to yourself and tried to focus on your paper. Intent to ignore him, you managed to type out two whole sentences before he snapped open the newspaper. Darting your eyes towards him, you watched the morning sunlight dance over the angle of his jaw.

Too bad he was such an insufferable know it all. Half the students that you knew from the classes you shared with him called him Hermes Granger behind his back, he was that bad. Always had the correct answers in lecture. Always top marks. Always, always, always, while you were just behind him.

Except the one time, but he'd been in hospital due to his roommate Lando accidentally tripping him and fracturing his rib, so that didn't really count.

"Did you hear about this?" he asked suddenly, thrusting the newspaper in your direction.

You looked from the paper to him, half expecting him to pull it away before you could take it. He didn't though, and you turned it so you could read the small headline.

No Evidence of Foul Play in Missing Money

Frowning, you read the small blurb about thousands of dollars that had seemingly vanished from a local charity. "How can there be no foul play?" you asked after reading it through twice. "It was there one day and gone the next."

Oscar nodded. "Exactly. And you know who's on the board, right?"

"Dude, I barely know my roommate's name most days..."

"Yeah I reckon you've got too many classes–"

You narrowed your eyes at that, missing half of the rest of what he said.

"–the mayor."

You snorted on a laugh. "Are you insinuating the mayor stole the money?"

He wasn't laughing. Or smiling. In fact, you were pretty sure you'd never seen Oscar smile. Well, that pained half smile when Lando dragged him to a party, but otherwise...

"You can't be serious," you said. "He's the mayor. He's got plenty of money."

"Does he?"

Rolling your eyes, you slid your laptop close and tried to focus on your work again. "Didn't have you down as a conspiracy theorist."

"It's not a conspiracy theory though?"

"The mayor, who lives in a mansion and drives a Ferrari, stealing ten thousand dollars from a charity?"

"People in power have stolen less. He's very good at hiding secrets. Like his brother's company being behind the factory buyout last year? The government doesn't want you to know this, but every one of them are crooked."

"What do they put in your coffee?" you asked with a roll of your eyes. "Do you get a tinfoil hat to go with it?"

He scoffed. "I thought you were smart."

That surprised you. You didn't think Oscar thought about you at all. "So what do you suggest, Oscar? We storm city hall and demand the mayor give the money back?"

He pursed his lips and dipped his head to one side as though to indicate the idea had merit. "Or we could sneak in after hours and poke around."

"Break into the mayor's office," you clarified.

He nodded. "Tonight after dinner?"

"Set off alarms, get arrested, and go to jail."

He winced. "Yeah, maybe not our brightest idea."

"Excuse me, did you–"

"But we can still do dinner, yeah?"

"Idiots. They are all idiots." / "I'm annoyed, to say it mildly." / "The feeling is mutual." / "The government doesn't want you to know about this." / "Not our brightest idea."

[bisonaari]

I don't know if it has been done here before because I don't look around, but I have thoughts about the album and I need to share them with someone or I'm gonna go INSANE

Put your tinfoil hats on for my analysis of everything around People's Champion under the cut (probably people have talked about it and I'm just gonna repeat stuff, be warned)

So I've been a bit insane about People's Champion and I've started to think super hard about the order of the songs. I think, in my opinion, that the songs are arranged to tell the story of his life and career from right after UMK 2023 until now.

Ready To Go: This is where we start. Just post UMK, people didn't fully believe in him yet. I remember people saying "oh yeah sweden is sending someone who already won esc, but we're sending… Jere from Vantaa????". Hence the chorus, where people want to see him fail. But he's ready, he knows that he can do it. He's gonna go through and give his EVERYTHING. The mood of the song is really hopeful, with big intense guitar.

Cha Cha Cha: Do I need to explain this one here? I'm still not over this hahaha, I don't think I'll ever be. But this is where events take a turn for him, hence why it's so early in the album, even though it's his biggest song. Because he has so much to say after Cha Cha Cha happened.

Takavoltti: This is where things start to fuck up. He doesn't want to stay on his butt now that he has achieved celebrity and starts to take on so many, many gigs. A lot of us were worried for his health when we saw how much he was performing during summer 2023. But in the song, he says that he only saw opportunities and he just had to continue to take them. It takes a toll on his body. It starts to hurt, but he goes through it. That mad man. Also a couple of times in the song, people ask him to do stuff. Like a little circus monkey. And he just ends up hurting himself.

Ruoska: The bad comments start to really get to him. In the video, Erika and Käärijä are both dressed and perform as aliens. They've completely been striped of their humanity. They're just gimmicks that you can insult anonymously on the internet. Who cares anyway, they chose this life for themselves. It's their own fault. While the previous song was still a bit on the funny side, this one digs straight into the hardships that they feel. There is no more humour, only pain.

Kot Kot: He's still doing too much. While everyone has gone home, he's still drunk on the dancefloor, trying to reach out for friends who were wiser and left. He's being dragged out of there against his will, because he's so stubborn. Pushing through isn't working anymore, and people around him aren't letting him hurt himself anymore.

Skit: An appointment with a therapist. Käärijä is being cut off CONSTANTLY by the therapist, who can't see Jere as a patient. He sees Käärijä, the star. Even when he's trying to seek help, he isn't listened to. Because he's not human anymore for people at that point.

Autiomaa: Käärijä is breaking down. In the video, the therapist from the skit is taking a picture of him during the appointment. The feeling of loneliness and emptiness is around him all the time, omnipresent, eating him alive. He just wants someone to see him as a person, to listen to him, to help him with the void.

Sex=Money: At that point, you know, might as well. You're not human anymore, who cares. Why not try to get some money selling your ass. Who's gonna care anyway, sex sells and that's what people want to see, right? He made so much money on onlyfans, the press is acting shocked that he would even do that. The song is back to a bit light-hearted. My interpretation would be that he just finds the situation ridiculous, and that's why we're getting humour back in the lyrics!

Bananas: I'm not sure how this one fits in my theory, but we're SO back for humour. Kääriä is getting better. I think that in this one he found resolve to just continue going on. He's annoyed because people still only see him as an object, but he has to go through and live his life. Show must go on.

Huhhuhhei: Quite interesting to put a love song in this timeline in the story. But I think it's because he wants to live in the present, and not in anxieties from the past and the fear of the future. He doesn't know if the person sharing his bed is still gonna be there in the morning, but whatever, it's not important. Tonight, they're his and that's what matters. Thinking of tomorrow isn't gonna bring anything good.

It's Crazy It's Party: He's still stuck in the parties, they're around him all the time. He's still doing a million gigs in Finland and in europe. And just as the song is quite close to Cha Cha Cha, he's back at the beginning, the situation hasn't changed much. But this time, by the end, he goes to the party again, by his own will. And this time, he has people around to party with him.

People's Champion: We're back babes. This song is a love letter to people who love him. This is a great wrap around for this album. He's just remembering how everything went, from the start, until this point. Going through every point and emotion we've been through with him during the album. But in the end, he IS people's champion. He did it. He made it. And even with all the hardships, he's with us, when our hearts all sing together. The last line of this album that isn't a chorus is "Thank you everybody, I love you".

What a journey

So something that you have noticed that I've talked a lot is how people don't recognize Käärijä's humanity. He has been made into a kind of creature of gimmicks. You can ask him everything, you can say everything to his face. Whatever, he's a celebrity, not a person.

And this is where that cover is a GENIUS move.

On the cover, there are NO gimmicks. No bolero, no bowl cut, no bare chest with a tattoo. Just his face. You HAVE to watch his face, there is nothing else to see. You have to watch his emotion being raw, he's crying. This is not a pleasant cover to see. And I know, I've had spotify open on his face all day friday while I was working, it felt awful. But it makes you do something.

You have to acknowledge his humanity. And there's no way around it.

I love Käärijä

[genericpuff]

I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

[m1ssunderstanding]

Understanding Lennon McCartney Rewatch Part 3.3

John having to get high out of his mind because he knows he's invited Paul to come play with him is so so sad. These are the same guys who used to sit facing each other on a bed playing guitars for hours, and now this is them?

Is John calling Paul “Jack Lemon” a reference to “some like it hot”? Because if so, I have questions. Anyway, when your estranged best friend shows up to hang out with you and a bunch of people, talking about being in love again and getting jizzed on is extremely normal and acceptable behavior.

This jam session is so fucking painful though. Paul's doing his best to just push through and get them to actually play something and John's just too far gone.

My theory: there's two reasons he did this. 1. He's avoidant and the last thing he's going to do is let on how bad he needs John in his life and how scared he is that if John gets back with Yoko that that'll be difficult. And 2. He couldn't live with himself if he didn't. If he'd kept it from John that Yoko wanted him back and later John cried to him about how much he missed Yoko or something? Paul can't have that.

John singing a snatch of Yesterday before a take of “Whatever gets you through the Night”??? Did either of them ever write a song where they weren't thinking about the other? Did they ever have a minute of peace without the other rattling the bars of the cage in his brain?

“Hold me Darling, come on, listen to me. I won't do you no harm.” Duh it's about Paul. Oh my gosh.

And with Bless You I'm always so torn. There are so many obvious references to Paul which the doc points out beautifully, but situationally it could also be about Yoko. Maybe it's about both of them in the same way that don't let me down is about both of them.

Anyway the cosmic visuals are gorgeous.

Why'd you have to phrase it like that though? Twice?

Hall of Fame moment. It's a high point for him career-wise and he chose to pull Paul into his spotlight. Not only to sing Paul's song, not only to name-drop him, but to publicly call him an official romantic title. Not “boyfriend” or “ex-wife” which both could've been much more mocking if that's what he was trying to do. But “fiance”. It's official and respected, but it's still got the lustful, unsettled, connotation that something like “husband” lacks.

Johann Weener, everyone. What a loser.

Everyone who still refers to Lennon Remembers like it's the fucking Bible listen to this. It doesn't go on for the next five years, let alone fifty.

John refusing to walk to blocks to sign the papers when George and Paul flew over the ocean. And only on the basis of astrology. He really didn't want the divorce. My heart aches for him. But he made his bed as they say.

I'm putting on my tinfoil hat again here, but I do just have to point out that one of John's first songs, “Hello, Little Girl,” has a line that goes, “you never seem to see me standing there”. And the earliest draft of WISHST, which was started soon after, answers that line. “I saw you standing there.” (Yes, it said you originally, not her). So maybe. Just maybe. That song wasn't just a Paul song, but a song that John knew Paul had put a message in for him. Okay, I apologize for the insanity. On another note, I do wonder if he ever found out what Paul thought of that.

Interviewer: ≈ at this point, do you like writing by yourself, or do you want to write with Paul again?≈ John: ≈well it's a bit of both. It's the same for Paul. We were talking about it a week ago. Okay, cool. So they definitely talked openly and honestly about potentially writing together again.

John, about their partnership, “There was always the feeling that someone was there if you needed it.” Paired with the gayest picture ever taken and then Paul singing “if I can do anything at all, let me help.” Thanks. I hate it.

John was so excited for New Orleans! What happened? I mean I have my theory based on May's book and the sudden shift in behavior. But it's pretty dark.

You know how crazy Paul is about John in interviews now? How he can't seem to keep John's name out of his mouth? John was worse in the seventies. He's promoting his Rock’n’Roll album, talking unprompted and romantically about how he met Paul, when the interviewer reminds him what relationship he's supposed to be romanticizing right now. So John remembers too and dedicates the album to Yoko who he's just got back together with.

Biconic quote.

Interviewer asks, after John's brought him up, if John's pleased with how well Paul's doing. John expresses his relief that Ringo has "found himself a niche" and then

I really do think that last bit sums up a big chunk of how John feels about Paul, and why he feels alright playing dirty against Paul or slagging Paul off. Why it would have been the furthest thing from his mind that Paul actually struggled or was insecure. Why Paul had to remind him, “I'm only a person like you, love.”

What an insane thing to think, let alone say. What if Julian had heard that? I'm pretty sure Julian and Paul weren't in contact, really at all, until the eighties, right? So John's doing better than he is at this point (I mean he's his dad, he should be). John is insecure about every possible thing and compares himself to Paul in every possible way.

Baby. He needed some serious help. The thing that sucks about being ahead of your time is that you also have to live in a world that's behind your needs.

And then. “There's always a friendly tv channel to turn to that's going to make you feel less alone.” I wonder if Paul “Call Me Back Again, John I know you're not that tired from the baby just let me in the fucking door” McCartney heard this? It's possible with how obsessive they were, but it's also impossible with how busy he kept himself.

Okay, here's the first story we've been missing about Paul experiencing negative emotions. And, of course, as always in this doc, it's paired perfectly with “Don't Let it Bring you Down” which is the musical mission statement of Paul's clenched-jawed smile philosophy.

"I tend to get a bit absolute in my statements." Yes, John. Yes you do. Another quote that Big Lennon fans should keep in mind.

John on the three weeks he took to decide if he wanted to continue the band after the first Hamburg trip: The others were mad because we could've been making money. Yeah, John, Paul suddenly had to work in a factory after he'd thrown away an educated, white-collar career (the first in his family) to be in your band. I'd be pissed too if you just didn't even bother to call. Anyway I just hate how casual John is about it. Someone who never had to worry about money is just never going to get that.

John doesn't even remember a ballpark number of how much they were making. Paul remembers exactly bragging to his professors that he was making fifteen a week in Hamburg. Sorry to go on and on about this right before Paris, but to me it's an important difference between them.

Anyway, the fact that Paris was more than just a vacation for them. The fact that – according to Stuart and John at least – they might not have come back. It's dizzying. They really thought about just running off together. I wonder what made them decide to come back and continue the band.

No offense if you do, but I don't personally believe in this stuff. What would the motivation have been for the tarot reader to tell him that? Either way, fuck him.

Gosh the live version of “Call Me Back Again”. You feel it, physically, how bad he wants this phonecall. And the desperation from such a successful man is fantastic. Literally, John, how did it feel to be the only man in the world that could get Paul McCartney to beg? “Pretty baby” “what can I do?” “Boohoohoo babe.” “I tried the operator, but I just can't get through.”

Reporter at the Wings over America tour: No John Lennon, no George Harrison, and no Ringo Starr, just Paul McCartney. And for everyone here tonight, that seemed to be plenty! Obviously he's loving this praise after all the negative press. Anyone would, and Paul needs it more than most people actually. But I bet part of him is like “stop. Don't say it like that, they already hate me enough as it is.”

How many times has John admitted that he finds Paul attractive? “It was no surprise, you know, when the kids – girls saw him, they go ‘ooh! Ooh!’ right away, you know?”

“I know it's true. It's all because of you.” Playing over this? Are you kidding me? Anyway I've never seen the picture version of this, so I thought I'd screenshot it.

But actually, in a way, the original written lyrics to Now and Then are less depressing than what he sang on the demo. “I know it's true, I'm still in love with you, and if I make it through, it's all because of you,” is obviously sad because they're both married to other people. But at least in that version, John's saying his own personal resilience to life's struggles comes from his relationship with Paul, which is nice. Whereas when John, who is sliding into a self-hating deep depression I'm comparing himself to Paul's phenomenal success, sings “it's all because of you” in a general sense, it almost feels like a callback to the ‘I'm shit and I couldn't do anything but be a Beatle (and ride Paul's boat)’ quote. Which is heartbreaking. I wish he could've recognized his own genius.

But yeah either way it's enough to make your heart heavy. If anyone needs a good cry, just go to the last five minutes of this. That should've been the now and then music video, but Paul's too scared of feelings. Which. You know. Considering how much it affects me, I can't even imagine how much it affects him. So he gets a pass.

“Why must we be alone? It's real love. It's real.”

[nachiah]

Mom said it's my turn with the Tokyo Debunker tinfoil hat!

So, regarding the newest Mortkranken character lore, I've developed a theory about what put Jiro in a prolonged coma: poisoning.

One of his character episodes sees him struggling to even drink water on his own, but when given to him by someone he trusts (MC in this case), he can sip at it with his body rejecting it. I think that rejection is a sort of defense mechanism from his own body's memories. A body rarely forgets trauma, even if the brain does

How he was poisoned, I'm not 100% sure, but there are two things to consider here. During the clash, he was said to act with the most violence. I'm sure that would result in some retaliation. Someone could've slipped him something or injected something.

The other thing to consider is his extensive knowledge and interest in medicine. I think he was a Mortkranken student the whole time, and not a post-coma transfer.

More on that later.

Yuri said a couple of interesting things. Most of his scars are from surgery and no other doctor dared to lift a scalpel to him. This tells me he had extensive internal damage that needed a lot of exploratory surgery to find and even more to correct. With his lapses in memory, his strange mannerisms, and mostly flat affect, I think it's safe to say he also suffered some kind of brain damage.

Back to my point about him being in Mortkranken. What if he wasn't poisoned by someone else? That level of violence during the clash and the loss of someone important to him (if you know, you know. Ch 7 spoilers), perhaps he was overtaken by grief and/or guilt? With his knowledge of anomalous medicine, that would allow him to create something he couldn't be saved from (at least until Yuri came along). Perhaps as a fail-safe, he made it so it would be risky to work on him? What he didn't count on was the level of medical persistence only Yuri Isami is capable of.

If any of this is true, it's a damned good thing he doesn't remember anything surrounding The Clash.

It will likely be a long time, if ever, before this can be confirmed or denied, but as someone who plays him on two RP servers, I'm gonna work with the poison theory for now.

Thanks for coming to my TBD-Talk.

[miraculouslbcnreactions]

Disclaimer in advance: I haven't watched season 4 or 5 in their entirety, nor do I intend to, so maybe I'm missing info. Most of my knowledge comes from lurking in the fandom.

Why do you think the show was seemingly allergic to allowing their main characters to make any sort of meaningful progress? At the end of season 1, Ladybug comes into possession of the Miraculous grimoire, a major clue that "Hey, Hawkmoth is probably Gabriel Agreste" and then the Collector immediately ends with her and Adrien placing him completely above suspicion (I actually don't mind this, it makes sense for Gabe to throw the two off the trail, but to the best of my knowledge, this is the only time the protagonists make any headway toward Hawk Moth's identity. I wish they had done more active investigation.)

The power up potions show up during Syren, except... they don't do much in the way of a "power up." They're used exceedingly sparingly, and really only let LB and CN compensate for environmental challenge. Nothing else, no actual evolution. This could've been a way to show LB getting more in sync with her powers, being able to create specific solutions to her problems. You could've had similar moments for Chat Noir, upgrade like the ranged cataclysm Chat Blanc could use, or something to do with bad luck. Instead, it was a cheap gimmick.

The temp heroes start getting called in beginning with Sapotis, except that most of them are called in because... you're here and I need this incredibly specific power, which you just so happen to be perfectly suited for. Shut up and do nothing follow orders. (The episode Party Crasher and King Monkey being the most egregious example, imo. Then again, i havent watched Penalteam, and I'm told that episode is far worse). The temp heroes don't really add anything to the plot (Save Rena suddenly being Ladybug's confidant, but that's a rant for another day.), except to cause conflict with CN, and they're all gone as of the Season 4 finale anyway.

Speaking of season 4, the charms. Finally, concrete progress, a way to limit hawkmoth, to cut him off from potential vic— wait what the hell is a megakuma? Why do this? What was the point? This is what I was talking about with Syren, Ladybug coming further into her powers, finally being able to start pushing Gabriel into a corner, and it's undone that same season. Apparently transmission is more powerful than creation, despite repeated assurances the Ladybug (and Marinette) are special.

And then there's the alliance rings. Why can Tomoe and Gabriel make these? No idea. What it means, though, is that LB and CN have no chance of reclaiming the lost miraculous, and just have to passively react to whatever the hell Monarch is up to... again.

I'm told that for the big finale, Marinette wasn't even the one to discover Gabriel's identity, Felix straight up told her, and then Gabriel won. He made his wish. The hero of the story failed to save the day, after doing practically nothing.

Whats extra annoying is that on the Villain side, Gabriel is absolutely allowed to push the status quo. First we get Scarlet Moth and mass akumatization, then the peacock comes out, then it gets fixed, and then Gabriel straight up steals all the Miraculous (save LB and CN's of course, and then they steal the rabbit back because the writers realized "time travelling villain" was a horrendous idea. And Felix is allowed to keep the Peacock, because ??? Gabriel has to my knowledge not given up any other power, before or since). And he's always held the power, he's never been at risk of losing his own miraculous because he doesn't need to go out in person, so why does he keep getting stronger and raising the stakes while the heroes can't do anything.

Sorry for being so long-winded, just... needed to get my thoughts out.

Put on your tinfoil hats, folks! We're gonna make some educated guesses as to what is going behind the scenes with Miraculous, but remember that these are, ultimately, guesses. I don't know the full story and I probably never well.

I've mentioned before that writing for TV can suck because you're not allowed pure creative freedom. There are a lot of hands in the pot limiting what you can do because TV shows cost hundreds of thousands of dollars to make. Some even cost millions. That means that final product needs to be considered commercially viable unless you're independently wealthy and have money to burn. This doesn't mean that passion projects can't be commercially viable, it just means that they're generally not approached with the idea that commercial viability is the most important thing.

Writing for children's shows can especially suck because you're heavily limited by the intended audience and by what large corporations deem acceptable for that intended audience. If you're not totally on board with keeping things Disney's version of kid-friendly, then you're not going to have a fun time.

This brings us to Miraculous.

I have often assumed that there were some wacky hi-jinks going on behind the scenes that would explain why the show is such a mess because I don't think that Miraculous is anyone's ideal version of the core concept. The wonderful @nixthelapin recently confirmed it for me by sending me a link to a translation of a lecture given by Miraculous' writing director.

In that interview, we get hard confirmation that the core members of the writing staff originally wanted to tell a darker story for adults or teens, which may explain all the random dark stuff that the show will include but totally fail to explore. We also got this:

Sebastien sold the Miraculous series to broadcasters as a formula show. A person gets angry, is akumatized, then marinette transforms into Ladybug then frees the person from the akumatization and… The End. It's also for this reason that Marinette tries to confess her love for Adrien in every episode, but is unable to do so. But he tried to go against what he had planned with TF1, by slipping little extra stories into certain episodes. Audiences were receptive to these slightly hidden stories. The TV channel even asked Sébastien if there really were hidden things in the series, but he denied everything.

So there you go. There's the hard confirmation of my theory. Miraculous was sold as a formula show so it's mostly written like a formula show, but the writers want to do more than a formula show, so they're adding in all these hints of something more, leading to massive fan frustration when those things don't lead to satisfying plots because, if they did, then it wouldn't be a formula show!

I get the temptation to do what they did, I really do, but I don't think that it was a good move. They would have been better off trying to make an awesome formula show or by being a lot more selective in what greater story elements they wanted to include. There are things that you can develop in formula shows while still keeping them formula shows. One thing that comes to mind is subtle character development. For example, they could have set up all of the temp heroes by giving them strong roles in one-off episodes. Roles that established their heroic potential. What you can't do well in formula shows is complex character development like the mess that was everything with Chloe and Lila.

This may also explain why we get baffling statements like this one from that interview that the writers gave at the end of season five:

Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Are they trying to let Chat Blanc effect the plot without breaking the formula element? If so, then dear gods, this is not how you add subtle continuity to your formula show!!! But that may be what they were trying to do here and in many other places. After all, we also get gems like this:

They note that Marinette's nightmare at the beginning is reminiscent of the episode Weredad from season 3. At this point, we can see that Marinette starts to understand who the villain is although she's not fully conscious of it yet. Thomas says that you can read it in two different ways: if you don't take the previous episode into account, she's starting to intuitively link things together but if you did see Representation, you know that she knows who Monarch really is.

I'm seeing a common thread. What about you?

While the writing director interview doesn't say this, I'm assuming stuff like the charms, the powerups, and the additional heroes come from a similar type of issue. My best guess is that these weren't elements that the writers wanted to add. They were things that marketing made them add to sell toys and so the writers shoehorned these items in because they couldn't find a way to organically fit these elements. I'm not blaming either side for that issue, btw. There isn't really a clear right side in the fight of creative freedom vs a show needing to make money to keep being made.

Since we're talking about that interview, I'll point out that we also got confirmation of another wacky writing rule to add to the list of poor writing choices:

The driving force behind the series is that there must always be a secret between Marinette and Adrien. The lovesquare can never be broken, otherwise there's no series.

"Our main couple can never be fully honest with each other or else there's no story" is a pretty awful rule, but it's what they're going with and that's a big part of why the love square is a mess. It's also a rule that I've often assumed was there based on the writing, but it's nice to get official confirmation of it.

None of this is to absolve the writers of blame nor is it to say that everything is their fault. The point here is that Miraculous' problems are a complex mess of everyone trying to make a good final product without being on the same page with what that final product should look like, resulting in a show that will never live up to the full potential of what anyone wanted for it.

[jessaerys]

honestly i think part of the reason why sam reid's and jacob anderson's acting is so striking (especially anderson) is that they aren't afraid to emote with their whole face in ways that are currently considered "overacting". the way louis's face just crumples up is so shocking because it's so rare to see on screen. i once went down a rabbithole of amateur acting advice and it was frankly wild to me that advice like "put tape between your eyebrows so you don't rely on them to emote" is extremely common. think of all the movies you've watched where people (though more often women) react to any and all range of emotional events with a beautiful, almost-neutral face except for some tears. think of anya taylor joy in the vvitch vs anya taylor joy in the menu. if i'm allowed to put on my tinfoil hat i wonder if it's because the overabundance of botox in hollywood has made people forget that like, foreheads and corners of mouths are literally there for the purpose of displaying emotions. sorry i forgot this post was about vampires. weepy helen of troy is that anything

[kerubimcrepin]

Wakfu OVA - Book 3, Dragon Mountain [PART 1]

Amalia he is handing you all out the Twelvian equivalent of six nuclear devices.

Amalia: [asks Joris]

Kerubim: [replies instead of Joris]

Second most batshit thing he's doing after the whole "speaking over him in private" thing. He's so evil dad energy.

Joris having to do the thing most of us know as "mom stooop she already got it."

AND after Keke stops talking he starts answering the question she asked him himself.

Once again, what seems like a normal interaction to most, is a goldmine to me.

Literally the funniest possible thing a guy who keeps losing Dofus, and had to stop being Ebony's guardian due to "interpersonal issues with the dragon", can say.

I never mentioned this previously, but one really cool detail is that even though he probably can't use them, the Dofus do react to Joris's touch — thanks to his dragonized nature.

Since the OVAs came out before the movie, this drove a lot of people a little bit crazy.

Big fan of Atch and Keke standing silently and looking vaguely worried about things.

I'M INSANE.

OF COURSE KERUBIM CREPIN WOULD REACT TO THIS. HE'S DAD.

I can read into things soooo well. I can read into them so easily. It comes like breathing to me.

[puts on tinfoil hat] Yes Kerubim wants to come back home together with Atcham and Joris, but also, Kerubim is seen pushing Joris towards his responsibilities, so I wonder if he feels a sense of guilt for the person Joris has become (guy who will die if he isn't saving the world).

lL;sdf;epor21301;;;; aksdkmaljwijahcfaw j

Anyway, I'm liking the fact that Kerubim and Atcham decided not to come with. Letting Joris have fun (type 3 fun, to be exact) with his friends <3 without making him feel weird by hovering around.

I have thought for years what Joris allowing Yugo to risk the end of the world for Tristepin might mean for his character. It doesn't feel out of character, far from it, — though it would be just as in-character if he was (softly) against this.

I think it's just one of Joris's many multitudes. He has very strong ("strong") morals, until people he cares about are involved.

Besides that, as someone who was alive before Ogrest's Chaos, I do think he'd love for the flooding of the world to stop, which might also be a factor in him not resisting the Brotherhood of Tofu's dangerous decisions here.

Just like OVA 2 was win after win after win after win for Crepinjurgenites, I think this OVA is kind of a big win for Adamai and Yugo fans.

Anyway the way Joris and Ruel are watching this happen is so fucking funny I can't. They really said 😬 and 😐

Joris hesitates before joining in.... because he's not a part of their friend group (but he wishes he were)

Personally, I think he joined in after seeing Otomai do so. It felt less awkward/presumptious. We don't see him lay his hand on Ruel — it cuts away to Otomai before that happens, which makes me consider this possibility.

OVA 3 makes me wish for an alternate season 3 that doesn't suck ass and actually handles Adamai's arc well. My suffering is so real and poignant.

THAT'S WHAT I WAS TALKING ABOUT. HE WAS SILENTLY STANDING THERE THINKING "Adamai is right though..." and doing NOTHING. Because he's sick in the head.

GET SCARED.

When I first watched the OVAs, I thought that these were all his past lives, and not the fucking Eliotropes. I wish life was kinder 😔

Joris "50 traumagenic psychological disorders" Jurgen ready to attack things at the drop of a hat like a wild animal.

Cutie-patootie shielding his eyes and groaning all pissed off at Yugo for doing whatever scary shit he just did.

Staring at Otomai.

While Otomai is staring at him.

He replies to her as if his own reaction to this wasn't O_O

Ngl I feel like having Grougalorasalar (the #coguette #female manipulator dragon), Dardondakal (??? the cringe warcrime dragon), and Goultard's Gay Lover Doomed By The Narrative inside your head would give anyone brainrot that leads them to cause an apocalypse to happen.

AND there are three other guys in there. And all six of them are eating holes into his brain.

Your honor, Ogrest just had a silly little time and we should forgive him for it.

[clears throat and approaches the mic] Ogrest and Otomai are good but. What if another father-son duo also had a scene where the son threatens to hurt his father if he doesn't leave him alone. Wouldn't it be cool. Haha. There are tons of father-son duos in this franchise! Tumblr user @jorisjurgen, also known as @kerubimcrepin, is not pointing at any pair of characters in particular — I just think a son should threaten to kill his father at least once more in this franchise.

[veryintricaterituals]

Okay, I'm putting on my tinfoil hat and my clown makeup. I'm officially jumping on the insane bandwagon: "Alice", Daniel's wife or girlfriend or something is Armand. She was Armand all along. That's gonna be the twist.

As much as I want old!Daniel devil's minion (and oh how I want it) I feel that it's already happened. I mean they are laying the clues pretty heavily.

"You felt free holding her hand in Paris, I wonder why that was"... And taking into account Louis' comment about his sexuality liberation in 1940's Paris in the last episode, I mean it's foreshadowing for sure. And then, the other thing we know is that Daniel proposed and she said no, immediately Armand says: "She wanted to say yes, but she didn't trust you".

I mean It's all a little too convenient. Also how funny would it be for the twist to be some character being Armand all along... Twice

[bookishdaze]

Kingdom of the Planet of the Apes Review. More like Rambling and Word Vomiting.

I saw it last night. Finally. After so long!

I personally thought it was good, and a solid addition to the POTA franchise. I don't think it's better than Dawn or War, but I'm willing to bet that by the time the full trilogy is out, Kingdom is gonna be looked back upon as a good beginning to Noa and Mae's story, the same way Rise, despite being most people's least favorite of the Caesar trilogy, is still an amazing intro to Caesar's story.

Some nitpicks. Despite the movie being 2.5 hours long, I felt like the final act came too fast? Like, I understand what people meant with the pacing issue. Suddenly we were in the 3rd act and I was like "Wait, we're here? It's done?"

Now, onto the characters! Let the fangirling commence!

Noa

I loved seeing how his journey and character started and where he ends by the end of the movie.

Him going from "That is the law" to "That is the law. But the law is wrong" was so satisfying.

And him being able to call the eagles to him by the end was great to see. By the way, THE SINGING SCENE WITH THE EAGLES???? LIKE???? It could've been so corny but I LOVED IT???

I'm so glad this movie answered the question of whether apes can sing. Yeah, I know they are only humming, but I'LL TAKE IT. APES CAN SING. YESSSS!

He was just a really nice character to follow. I can't wait to see how he'll be like in the next movie after the events of this one transformed him.

I also think he is the kind of protagonist we need after Caesar. I love Caesar, but Noa is....hmm, I guess you could say softer? More naive? I'm sure he'll get tougher as the movies progress like Caesar did, but I like this change.

Mae

I am a Mae defender. Yes, she did betray Noa in the end. I expected her to tbh. And I understand why she did it. She was right in that Proximus getting his hands on those weapons would've been disastrous.

She has probably been taught all her life nothing but bad things about the apes. She was not going to switch sides just because she met Noa. We still got two whole movies after this. She probably won't have her "redemption" until the 3rd movie. I can honestly go on rambling about her, but I'd rather save that for another separate post.

Raka

I really like him. He's great and funny. I love seeing how he talks about humans and his hopes for humans and apes.

Right before he dies, he reminds Noa "Together, strong." His final words and his necklace as a gift to Noa serve as a reminder. A reminder of a hopeful future where apes and humans can coexist. (And then Noa passing along that same necklace to Mae? Bringing a reminder of that hope for peace into her world? Ugh. So good.)

Also, "He was my village." LIKE. DID HE LOSE HIS PARTNER? MY HEART.

Proximus

I thought he was cool. He gave my mother and I a jump scare at the dinner scene where he slams his fist. Also, the way he was just in awe of the gun after Lightning dies. He has his priorities.

Soona and Anaya

Those two were so cute, and I loved their friendship with Noa.

Anaya broke my heart. In the beginning at the tunnel scene, he's all like "Anaya is not scared." But at Proximus's kingdom, he looks terrified at the dinner scene, and before he goes on the mission to climb the wall, he goes "Anaya is scared" and didn't want to go. Poor guy. He pulled through in the end though.

Although *puts on tinfoil hat* this makes me wonder if this foreshadows how his fear will lead him to make a big mistake in the future movies. Similar to what happened with Winter.

Soona was so sweet. Although I'm disappointed we didn't get more of her with Noa. I saw an interview where Soona's actress described a moment where after they are reunited, they kind of make known their feelings for each other or something like that. But...it didn't happen?

Mae and Noa

Alrighty, I'm gonna briefly put on my shipping goggles on, bear with me, because one has to be a teensy bit delusional for this type of stuff, BUT....

I sensed a....vibe? Not a romantic vibe. They are nowhere close to that yet. But I felt like there were tropes and scenes between them that simply imply a romantic path is a possible direction for their relationship. I will make a separate post about them. I wanna wrap this up, lol.

The ending

I liked the ending. It has me so excited for the future of this trilogy. Now that the humans are able to communicate with others, what will this mean? How will Mae be torn between her people and the apes? Same with Noa? I need to know naooooo

8.5/10 stars (I ain't done rambling about this movie yet. But it's my birthday, and I gotta go out and have some dinner, hehe).

[thorias]

So I know I've been fixated on this, but the more I think about it, the more signs are pointing to the timeline getting reset. Upon rewatch, there are just so many things about the events of ep5 that simply don't add up if this was meant to be permanent.

First, there was that weird psychic blast that hit Madelyne/Jean right before the attack. What was that about? Could it have been Cable? Possibly. But it seems awkward when it happens right before he shows up in the flesh anyway, so my guess is it had to do with someone else. But who?

It might be a stretch, but given what happened in ep6 with Xavier on his way back to Earth now, I could see it being Charles trying to warn them from the future via time travel tech. I might be way off base on that one, but we've certainly seen weirder things happen.

Also, Rogue wearing a version of her famous first-date-with-Remy dress in the comics only to dance with Magneto while Remy dies without knowing that she'd chosen him is a detail that stands out like a sore thumb. That didn't happen by accident. This was a very deliberate choice by the writers and unless the point of it was to just be intentionally cruel to Gambit AND Romy fans, (and I kind of doubt it was) this is going to come back somehow. These writers have been very reverential to the comics and they had to have known how fans would react to that. If those events aren't going to change so Rogue dances with Gambit instead, (paying off that line in ep1 about suffering her hand for a dance) then why do it this way? To heartbreakingly end one of the most iconic and popular relationships from X-MEN TAS, which was built up over 5 seasons, with no payoff at all? How is that an ending that would satisfy anybody?

Maybe I've got my tinfoil hat on a little too tight right now, but I just don't see any way that this is going to stick. I don't know if the attack will be prevented entirely, (probably not, tbh) but something about that night is going to be changed. You don't establish that the whole reason Cable's here is to stop the attack and then have him completely fail at stopping it.

Maybe Cable, Xavier and Forge put their heads together, get Cable's tech working properly and manage to warn everyone in time to make a difference.

In fact, I read a brilliant theory the other day that Xavier would use Madelyne/Jean as psychic conduits to make the X-men and everyone at the gala remember what happened before the attack starts, giving them enough of a heads up to save themselves. And ep5 was literally titled 'Remember It'; I mean, it could be more perfect.

AND since Sinister was behind the attack, how fitting would it be for Cable (the product of Sinister's machinations) to be the one who thwarts him?

What if Cable and Xavier manage to warn everyone in time, all the mutants of Genosha band together with the X-men to take the Wild Sentinel down and then afterward the gala happens, but with Rogue dancing with Remy this time?

I don't know... that's probably wrapping things up too neatly (and the teases of Remy becoming Death are piling up fast, so we can't rule that out) and I'm sure there are going to be consequences to the Sentinel attack that stick even if they do reset things, but narratively, this would make a lot of sense, not to mention finish the story in a way that doesn't leave Gambit/Romy fans utterly depressed and miserable.